{"id":19942,"date":"2023-09-13T13:47:38","date_gmt":"2023-09-13T13:47:38","guid":{"rendered":"https:\/\/pre.scenicrights.com\/projects\/the-crossover-original-tv-series-project\/"},"modified":"2025-03-21T10:53:43","modified_gmt":"2025-03-21T10:53:43","slug":"the-crossover-original-tv-series-project","status":"publish","type":"articulo","link":"https:\/\/www.scenicrights.com\/en\/projects\/the-crossover-original-tv-series-project\/","title":{"rendered":"The Crossover &#8211; Original TV Series Project"},"template":"","art_tag":[1042,796,1314,1022,840,1196,1076,1116],"genero":[47],"licencia":[17],"localizacion":[],"produccion":[],"subgenero":[658,676],"tipo":[5],"class_list":["post-19942","articulo","type-articulo","status-publish","has-post-thumbnail","hentry","art_tag-business","art_tag-corruption","art_tag-crime","art_tag-death","art_tag-double-life","art_tag-journey","art_tag-policy","art_tag-rivalry","genero-drama-en","licencia-propia","subgenero-mystery","subgenero-thriller-en","tipo-proyecto"],"acf":{"generos_tax":[47],"subgeneros_tax":[676,658],"tipo_tax":[5],"tags_tax":[796,1042,1076,1196,840,1022,1314,1116],"produccion_tax":false,"licencia_tax":17,"localizacion_tax":false,"articulo__titulo_extendido":"","articulo__extracto":"","articulo__contenido":"<p style=\"text-align: right;\"><em><strong>Twelve people, four countries, one murder<\/strong><\/em><\/p>\r\n\r\nAt the headquarters of the European Parliament, a conspiracy is brewing that threatens to bring down the foundations of old Europe.\r\n\r\nAs the European Union prepares to pass a law that will change everything, Ana, one of the interpreters, crashes onto the pavement from the eleventh floor. Some say it could be suicide, but it is clearly murder, and the lives of five Parliament collaborators are about to change: Bruno, a Swiss lobbyist; Eva, a junior Spanish lobbyist; Niklas, a Swedish head of Parliament security; and Bettina, a German chief interpreter. Each of them has a past. Each of them has a weakness.\r\n\r\nAmong secrets, forbidden alliances, passionate affairs, blackmail, and moral dilemmas, <em>The Crossover<\/em> stands as a political thriller immersed in the contemporary context, tackling issues such as globalization, immigration, class divide, information control, and corruption.\r\n\r\nAs in any ecosystem, the protagonists of <em>The Crossover<\/em> know that survival doesn\u2019t belong to the strongest but to those who best adapt, and all of them are ready to wear their most convincing masks.\r\n\r\n&nbsp;\r\n\r\n<strong>KEY DETAILS: <\/strong><em>The Crossover<\/em> takes us inside the European Parliament\u2014not to show what we see on TV about its podiums but to reveal its corridors, its bathrooms, the behind-the-scenes, and the weekends of these suit-clad individuals who seem untouchable. In <em>The Crossover<\/em>, the Parliament becomes a living example of the Tower of Babel, putting to the test whether humanity can truly speak a common language.\r\n\r\nThe story stands out for its international appeal, making it perfect for co-production. Moreover, it reinvents the whodunit genre and is ideal for political thriller enthusiasts, such as those who enjoyed <em>Succession<\/em>, <em>House of Cards<\/em>, or <em>Borgen<\/em>.\r\n\r\n<em>The Crossover<\/em> is led by two of the best screenwriters from their respective countries.\r\n\r\nCurro Royo is one of Spain\u2019s most relevant and successful screenwriters, with major works including hit TV series such as <em>Like Water for Chocolate, Cu\u00e9ntame c\u00f3mo pas\u00f3, Desaparecidos, El Cid, The Adventures<\/em> <em>of Captain Alatriste,<\/em> and <em>Hern\u00e1n<\/em>.\r\n\r\nOn the other hand, Vinicio Canton is an Italian screenwriter who has written numerous scripts for TV series and films, such as <em>They Talk, Il restauratore, A casa di Irma, Non lo sappiamo ancora<\/em>, and <em>Amore strappato<\/em>. Some of his projects have been released on Mediaset and RAI channels.\r\n\r\n&nbsp;\r\n\r\n<strong>AUDIOVISUAL POTENTIAL:<\/strong> TV Series\r\n\r\n<strong>AVAILABLE LANGUAGES:<\/strong> Spanish, English","articulo__autor":[3255,3205],"_thumbnail_id":8306,"articulo__featured_gallery":"","articulo__galeria_archivos":"","articulo__fecha_de_publicacion":"","articulo__idiomas":"","articulo__dossier":"","idarticle":1075},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Crossover - Original TV Series Project - Scenic\u00a0Rights<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.scenicrights.com\/en\/projects\/the-crossover-original-tv-series-project\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Crossover - Original TV Series Project - Scenic\u00a0Rights\" \/>\n<meta property=\"og:description\" content=\"An original TV Series project by&nbsp;Curro Royo and Vinicio Canton Twelve people, four countries, one murder Every Tuesday morning, thousands of people take off from more [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.scenicrights.com\/en\/projects\/the-crossover-original-tv-series-project\/\" \/>\n<meta property=\"og:site_name\" content=\"Scenic\u00a0Rights\" \/>\n<meta property=\"article:modified_time\" content=\"2025-03-21T10:53:43+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.scenicrights.com\/wp-content\/uploads\/2023\/09\/EMtWnkD5ykaEmPSxMVXDLw-1124x1590.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1124\" \/>\n\t<meta property=\"og:image:height\" content=\"1590\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.scenicrights.com\\\/en\\\/projects\\\/the-crossover-original-tv-series-project\\\/\",\"url\":\"https:\\\/\\\/www.scenicrights.com\\\/en\\\/projects\\\/the-crossover-original-tv-series-project\\\/\",\"name\":\"The Crossover - Original TV Series Project - Scenic\u00a0Rights\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.scenicrights.com\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.scenicrights.com\\\/en\\\/projects\\\/the-crossover-original-tv-series-project\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.scenicrights.com\\\/en\\\/projects\\\/the-crossover-original-tv-series-project\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.scenicrights.com\\\/wp-content\\\/uploads\\\/2023\\\/09\\\/EMtWnkD5ykaEmPSxMVXDLw.png\",\"datePublished\":\"2023-09-13T13:47:38+00:00\",\"dateModified\":\"2025-03-21T10:53:43+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.scenicrights.com\\\/en\\\/projects\\\/the-crossover-original-tv-series-project\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.scenicrights.com\\\/en\\\/projects\\\/the-crossover-original-tv-series-project\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.scenicrights.com\\\/en\\\/projects\\\/the-crossover-original-tv-series-project\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.scenicrights.com\\\/wp-content\\\/uploads\\\/2023\\\/09\\\/EMtWnkD5ykaEmPSxMVXDLw.png\",\"contentUrl\":\"https:\\\/\\\/www.scenicrights.com\\\/wp-content\\\/uploads\\\/2023\\\/09\\\/EMtWnkD5ykaEmPSxMVXDLw.png\",\"width\":1448,\"height\":2048},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.scenicrights.com\\\/en\\\/projects\\\/the-crossover-original-tv-series-project\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.scenicrights.com\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The Crossover &#8211; 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