{"id":29417,"date":"2025-11-12T12:45:28","date_gmt":"2025-11-12T12:45:28","guid":{"rendered":"https:\/\/www.scenicrights.com\/projects\/los-cain\/"},"modified":"2025-11-12T12:49:43","modified_gmt":"2025-11-12T12:49:43","slug":"los-cain","status":"publish","type":"articulo","link":"https:\/\/www.scenicrights.com\/en\/projects\/los-cain\/","title":{"rendered":"The Cains (Los Ca\u00edn)"},"template":"","art_tag":[746,796,1314,1022,846,1321,1310,686,1046,1054,1074,988,1424,1116,1377,874,1214,1382],"genero":[47],"licencia":[],"localizacion":[],"produccion":[],"subgenero":[676],"tipo":[5],"class_list":["post-29417","articulo","type-articulo","status-publish","has-post-thumbnail","hentry","art_tag-70s","art_tag-corruption","art_tag-crime","art_tag-death","art_tag-drugs","art_tag-empty-spain","art_tag-generational-conflict","art_tag-harassment","art_tag-obsession","art_tag-past","art_tag-poverty","art_tag-power-fight","art_tag-psychological","art_tag-rivalry","art_tag-rural-en","art_tag-spain","art_tag-violence","art_tag-whudunit-en","genero-drama-en","subgenero-thriller-en","tipo-proyecto"],"acf":{"generos_tax":[47],"subgeneros_tax":[676],"tipo_tax":[5],"tags_tax":[686,746,1310,796,1314,846,874,1321,988,1022,1046,1054,1074,1116,1377,1214,1424,1382],"produccion_tax":false,"licencia_tax":false,"localizacion_tax":false,"articulo__titulo_extendido":"","articulo__extracto":"","articulo__contenido":"<b><i><span lang=\"EN-US\">In rural Spain during the 1970s, a young schoolteacher assigned to a village divided by ancestral hatreds becomes trapped in a web of secrets, vengeance, and buried crimes \u2014 where asking about the truth could cost him his life.<\/span><\/i><\/b>\r\n\r\n<b><i><span lang=\"EN-US\">\u00a0<\/span><\/i><\/b>\r\n\r\nIn the 1970s, Somino, an isolated Castilian village, lives under the weight of a fierce rivalry between the Llano (farmers) and the Teso (hunters), a feud so ancient that no one remembers how it began. The point of no return came decades earlier with the death of Arcadio Cuervo, father of Josefina and Elvira, buried at night with a poorly sealed tombstone \u2014 a symbol of wounds that never healed.\r\n\r\n<span lang=\"EN-US\">Years later, the death of Antonia Lobo, known as \u201cthe Black One,\u201d a 19-year-old who supposedly died in a car accident while fleeing the village, reignites the conflict. The Lobo family is one of the most powerful in Somino, and everyone fears Severo, Antonia\u2019s father, and his brother Ezequiel. The delayed, rumor-filled funeral coincides with the arrival of H\u00e9ctor Cruz, a young schoolteacher from Madrid. A stranger and a government employee, he soon feels the town\u2019s hostility. When mutilated deer begin to appear in emblematic locations after Antonia\u2019s death, tension between the factions worsens. Were they poisoned? Did they die of disease? Who placed them there? No one knows \u2014 and no one dares to explain \u2014 but everyone suspects.<\/span>\r\n\r\n<span lang=\"EN-US\">The Civil Guard, absent from Somino for years, returns with officers Sisinio Calleja and Patricio Codesal to investigate. The village closes itself in a wall of silence and turns against H\u00e9ctor, accusing him of informing on them. He faces sabotage, stones thrown through his window, and constant surveillance by the Cuervo sisters, owners of the telephone exchange, who spy on calls and spread division. Among his few allies are nurse Sof\u00eda Le\u00f3n and her son Miquel, untainted by inherited hatred. The rancor also manifests in petty revenge between both factions \u2014 plowed fields destroyed overnight, vandalized graves, and quiet acts of vengeance that deepen the divide.<\/span>\r\n\r\n<span lang=\"EN-US\">H\u00e9ctor learns that another death, years earlier, had shaken the town and inaugurated the era of fear and silence: the death of Esther, an eight-year-old girl who allegedly drowned in the village pond, the \u201cbuchina,\u201d despite knowing how to swim. She was buried in haste by several villagers, including Arcadio. The reason: to avoid questions. As they were avoided again at Arcadio\u2019s funeral \u2014 and at Antonia Lobo\u2019s.<\/span>\r\n\r\n<span lang=\"EN-US\">As the school year ends, tensions reach a breaking point. Amid chaos caused by a forest fire, H\u00e9ctor \u2014 who had spoken too openly with a neighbor, Sagrario \u201cthe Antillean,\u201d about the pond and Esther\u2019s death \u2014 is warned that Severo and Ezequiel Lobo are coming for him, possibly to kill him. He flees down a path guarded by the Civil Guard, passing a blackened house scrawled with the word \u201ctraitors,\u201d a remnant of the fire that drove \u201cthe Antillean\u201d out of town. H\u00e9ctor leaves Somino with a mixture of relief and sorrow.<\/span>\r\n\r\n<span lang=\"EN-US\">Years later, on her deathbed, the mother of \u201cthe Antillean\u201d confesses that Esther was murdered and buried in secret. Her husband, Eutiquio, confirms that Severo \u201cEl Cejas,\u201d patriarch of the Lobo family, ordered the nocturnal burial to avoid questions. Arcadio Cuervo was present and died months later under suspicious circumstances, buried with the same haste. Josefina bribed the gravedigger to prevent an autopsy, perpetuating the mystery. Who was responsible for his death? No one. Everyone. Or perhaps the village itself. The Antillean\u2019s parents were expelled years ago as \u201ctraitors\u201d; their house was burned down and later taken over by the Lobo family\u2019s shady businesses \u2014 the same family responsible for the \u201cpoison\u201d that killed the deer.<\/span>\r\n\r\n<span lang=\"EN-US\">The deaths of Antonia, the old grudges, and the chain of crimes buried under complicit silence remain unresolved. A newspaper article later reveals that Somino became a Castilian hub for heroin trafficking. Could that explain the town\u2019s violence and endless feuds? In Somino, no one forgets or forgives: the half-closed graves are reminders that the past remains open, and violence and resentment will continue to mark its people.<\/span>\r\n\r\n&nbsp;\r\n\r\n<b><span lang=\"EN-US\">RELEVANT INFORMATION: <\/span><\/b><span lang=\"EN-US\">Enrique Llamas is a Spanish writer specializing in communication and visual arts. He contributes regularly to various media outlets and writes about literature and theatre. His debut novel <i>Los Ca\u00edn<\/i> earned him the <b>Silverio Ca\u00f1ada Memorial Prize for Best First Crime Novel<\/b>.<b><\/b><\/span>\r\n\r\n<i><span lang=\"EN-US\">The Cains<\/span><\/i><span lang=\"EN-US\"> is a novel that sits between dark rural realism, thriller, and social drama, set in 1970s Spain. Its fragmented structure interweaves past and present, gradually revealing the secrets that unravel the mystery. It\u2019s a story of latent tension, with a deliberately slow rhythm that sustains suspense through a succession of disturbing and violent situations.<\/span>\r\n\r\n<span lang=\"EN-US\">The novel has strong audiovisual potential as a tense rural thriller with a large ensemble cast and multiple timelines. It connects with contemporary rural dramas such as <i>The Beasts<\/i> (<i>As bestas<\/i>) or <i>Marshland<\/i> (<i>La isla m\u00ednima<\/i>), combining social critique, mystery, and a universal reflection on inherited resentment. The story contains moments of high dramatic and cinematic impact.<\/span>\r\n\r\n<span lang=\"EN-US\">Press reviews:<\/span>\r\n\r\n<span lang=\"EN-US\">\u201cFrom the very first lines, we quickly understand that we won\u2019t be able to put <i>The Cains<\/i> down: it helps us see what we were in order to understand what we are.\u201d \u2014 Guillermo Altares, <i>El Pa\u00eds<\/i><\/span>\r\n\r\n<span lang=\"EN-US\">\u201cA writing that envelops the reader \u2014 a territory of honesty and harshness driven by characters balanced between tenderness and flint.\u201d \u2014 Antonio Lucas, <i>El Mundo<\/i><\/span>\r\n\r\n<b><span lang=\"EN-US\">\u00a0<\/span><\/b>\r\n\r\n<b><span lang=\"EN-US\">AUDIOVISUAL POTENTIAL:<\/span><\/b><span lang=\"EN-US\"> TV Series, Miniseries, Film, TV Film<\/span>\r\n\r\n<b><span lang=\"EN-US\">AVAILABLE LANGUAGES:<\/span><\/b><span lang=\"EN-US\"> Spanish<\/span>","articulo__autor":"","_thumbnail_id":29415,"articulo__featured_gallery":"","articulo__galeria_archivos":"","articulo__fecha_de_publicacion":"","articulo__idiomas":"","articulo__dossier":"","idarticle":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Cains (Los Ca\u00edn) - Scenic\u00a0Rights<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.scenicrights.com\/en\/projects\/los-cain\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Cains (Los Ca\u00edn) - Scenic\u00a0Rights\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.scenicrights.com\/en\/projects\/los-cain\/\" \/>\n<meta property=\"og:site_name\" content=\"Scenic\u00a0Rights\" \/>\n<meta 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