{"id":31606,"date":"2026-06-09T09:59:43","date_gmt":"2026-06-09T09:59:43","guid":{"rendered":"https:\/\/www.scenicrights.com\/projects\/diecinueve-garras-y-un-pajaro-oscuro\/"},"modified":"2026-06-12T10:08:38","modified_gmt":"2026-06-12T10:08:38","slug":"diecinueve-garras-y-un-pajaro-oscuro","status":"publish","type":"articulo","link":"https:\/\/www.scenicrights.com\/en\/projects\/diecinueve-garras-y-un-pajaro-oscuro\/","title":{"rendered":"Nineteen Claws and a Dark Bird (Diecinueve garras y un p\u00e1jaro oscuro)"},"template":"","art_tag":[1292,1296,1344,1314,1022,802,1337,686,814,704,708,862,1046,1424,722,684,1150,1214],"genero":[47],"licencia":[],"localizacion":[],"produccion":[],"subgenero":[674],"tipo":[5],"class_list":["post-31606","articulo","type-articulo","status-publish","has-post-thumbnail","hentry","art_tag-addiction","art_tag-argentina-en","art_tag-black-mood","art_tag-crime","art_tag-death","art_tag-existential-crisis","art_tag-gore-en","art_tag-harassment","art_tag-heartbreak","art_tag-love","art_tag-love-hate","art_tag-mental-illness","art_tag-obsession","art_tag-psychological","art_tag-serial-killer","art_tag-sexual-abuse","art_tag-supernatural","art_tag-violence","genero-drama-en","subgenero-horror","tipo-proyecto"],"acf":{"generos_tax":[47],"subgeneros_tax":[674],"tipo_tax":[5],"tags_tax":[684,686,1292,704,708,1296,722,1314,802,814,862,1337,1344,1022,1046,1424,1150,1214],"produccion_tax":false,"licencia_tax":false,"localizacion_tax":false,"articulo__titulo_extendido":"","articulo__extracto":"","articulo__contenido":"<b><i><span lang=\"EN-GB\">Argentine bestselling author Agustina Bazterrica turns paranoia, repressed desires, and intimate traumas into disturbing nightmares, populated by characters who cross\u2014without resistance\u2014the boundary between the real and the monstrous. Nineteen fierce stories that reveal just how strangely familiar the abyss can feel.<\/span><\/i><\/b>\r\n\r\n<b><i><span lang=\"EN-GB\">\u00a0<\/span><\/i><\/b>\r\n\r\n<span lang=\"EN-GB\">With nineteen stories that move with surgical precision from the most visceral horror to the most corrosive humor, Agustina Bazterrica immerses us in a universe where everyday fears twist into something unrecognizable and delirious fantasies turn into nightmares of terrifying clarity.<\/span>\r\n\r\n<span lang=\"EN-GB\">Her stories relentlessly question love, friendship, and family bonds, while exposing those unspoken desires we prefer to keep hidden. Every page invites the reader to peer into the abyss of the absurd and the macabre.<\/span>\r\n\r\n<span lang=\"EN-GB\">In <b><i>Unamuno\u2019s Boxes<\/i><\/b>, a woman gets into a taxi whose driver, Pablo Unamuno, has such perfectly manicured nails that they unsettle her. She observes every detail of the vehicle\u2014the pink pacifier, the bracelet with the name Amanda, the obsessive cleanliness\u2014and as he drives, she begins to construct a sinister fantasy: she imagines Unamuno as a serial killer who cuts his victims\u2019 nails and stores them in transparent boxes. In her mind, she even envisions a meticulous ritual involving Amanda, whom he would have cared for and beautified before killing.<\/span>\r\n\r\n<span lang=\"EN-GB\">When they arrive, the woman pays with deliberate slowness. A coin falls between the seats, into a lidded compartment. Unamuno opens it to retrieve it, revealing its contents: manicure tools and two transparent boxes. The moment seems to confirm her suspicions, though the objects could also have a perfectly normal explanation.<\/span>\r\n\r\n<span lang=\"EN-GB\">Instead of fleeing, the protagonist reacts unexpectedly: she grabs the driver\u2019s arm and orders him to start driving and take her \u201cwhere he knows.\u201d The story transforms everyday paranoia into a voluntary surrender to horror, with sharp dark humor and a protagonist who chooses to cross the line.<\/span>\r\n\r\n<span lang=\"EN-GB\">In <b><i>Roberto<\/i><\/b>, a girl tells her friend Isabel that she has a black rabbit between her legs, whom she calls Roberto. Isabel\u2014foolish and treacherous\u2014tells their teacher, Mr. Garc\u00eda. He calls the girl in alone, kisses her, tells her she is the prettiest, and asks her to show him the rabbit. Despite her shame, he lifts her skirt and lowers her underwear. Then he sees Roberto. The rabbit moves its ears and bares its teeth. Terrified, Mr. Garc\u00eda runs away. The girl remains still, and Roberto falls asleep again.<\/span>\r\n\r\n<span lang=\"EN-GB\">In <b><i>Rosa Bomb\u00f3n (Candy Pink)<\/i><\/b>, a woman abandoned by her lover follows a series of destructive steps to process her pain. First, she smashes a reproduction of <i>Sunflowers<\/i> and throws the <i>Mona Lisa<\/i> out the window. Then she burns photos of the couple in the microwave, boils a lucky cat figurine, and writes on the mirror in red nail polish: \u201cI love you, miserable and beautiful dog.\u201d<\/span>\r\n\r\n<span lang=\"EN-GB\">She calls her ex repeatedly until a female voice answers and he says: \u201cCome on, love, give me the phone, little ant.\u201d She hangs up slowly. She decides it\u2019s time. She takes the revolver he once gave her and places it against her temple. In the instant the bullet pierces her skull, she imagines a pink calm\u2014cotton-candy pink.<\/span>\r\n\r\n<span lang=\"EN-GB\">In <b><i>Tierra (Land)<\/i><\/b>, Camila stands over her father\u2019s grave in the cemetery. Her mother has left her there after burying him. Camila remembers how her father forced her to stay still for hours, how he entered her room, and how he made her mother cry.<\/span>\r\n\r\n<span lang=\"EN-GB\">One day, her mother left insect poison on the kitchen table. Camila put three spoonfuls into a glass of wine and gave it to her father. He drank it in one gulp, clutched his throat, turned red, screamed, and dropped dead.<\/span>\r\n\r\n<span lang=\"EN-GB\">Now, at the cemetery, her mother spat at her, climbed onto the cart, and left without looking back. Camila knows she will not return. The sun burns her body. She slowly buries herself with her own hands: first her legs, then her arms, until red ants crawl across her eyes. She is getting closer to her father.<\/span>\r\n\r\n<span lang=\"EN-GB\">In <b><i>The Lonely<\/i><\/b> <b><i>(Las solitarias)<\/i><\/b>, a woman runs on December 31 to catch the last subway of the night. The downtown streets are empty. She manages to board just as the doors close. The carriage is completely empty.<\/span>\r\n\r\n<span lang=\"EN-GB\">At one station, a man smelling of wine boards, dressed in a torn black suit. He sits across from her, stares intensely, and says: \u201cThey are waiting for you.\u201d Then he gets off.<\/span>\r\n\r\n<span lang=\"EN-GB\">The subway continues, but as it passes two closed stations, the lights go out and the train stops. The woman steps down onto the tracks and walks in total darkness until she finds a sealed station. She climbs onto the platform and sees two figures sitting at the edge: two men with their backs turned, so pale they glow in the dark. They turn their heads, look at her, and open their mouths as if a scream were trapped inside. Then she knows\u2014they are the ones who were waiting. There is no escape.<\/span>\r\n\r\n<span lang=\"EN-GB\">These are just five of the nineteen stories that make up <i>Nineteen Claws and a Dark Bird<\/i>. The rest continue exploring the same veins of intimate horror, dark humor, and a discomfort that settles deep into the bones. Bazterrica offers neither comfort nor moral lesson\u2014only nineteen doors leading to the same place: that unsettling space where the ordinary decays and the monstrous becomes strangely familiar.<\/span>\r\n\r\n<span lang=\"EN-GB\">\u00a0<\/span>\r\n\r\n<b><span lang=\"EN-GB\">RELEVANT INFORMATION:<\/span><\/b><span lang=\"EN-GB\"> Agustina Bazterrica is an Argentine writer and author of the global bestseller <i>Tender Is the Flesh<\/i>, which has had dozens of editions in the United States and has been translated into more than 20 languages. <i>The Unworhty <\/i>is her latest novel, and both works are currently being adapted for audiovisual formats.<\/span>\r\n\r\n<span lang=\"EN-GB\">She has received more than thirty awards for her distinguished literary career since 1998, including the <b>Premio Clar\u00edn de Novela<\/b> and the <b>Ladies of Horror Fiction Awards<\/b>.<\/span>\r\n\r\n<i><span lang=\"EN-GB\">Nineteen Claws and a Dark Bird<\/span><\/i><span lang=\"EN-GB\"> has a structure perfectly suited for the anthology format: each story is a self-contained unit with imagery that is as powerful as it is disturbing. Bazterrica\u2019s narrative, which alternates visceral horror with pitch-black humor, translates naturally to audiovisual storytelling. Its potential is immense\u2014from an anthology series to a feature film interweaving the stories through shared atmospheres.<\/span>\r\n\r\n<b><span lang=\"EN-GB\">Critical acclaim:<\/span><\/b>\r\n\r\n<span lang=\"EN-GB\">\u201cThese stories, marked by a sense of strangeness and unease, take us to the heart of our fears, our darkest fantasies, and the sharpest humor. Texts that question love, friendship, family relationships, and unspoken desires.\u201d \u2014 Carlos Castros\u00edn, <i>Qu\u00e9 Leer<\/i><\/span>\r\n\r\n<span lang=\"EN-GB\">\u201cWith both rawness and sensitivity, she compels readers to confront what usually remains hidden, confirming her place as one of the most powerful voices in contemporary Spanish-language literature. She writes and speaks without anesthesia.\u201d \u2014 Rosa S\u00e1nchez de la Vega, <i>El Cultural<\/i><\/span>\r\n\r\n<span lang=\"EN-GB\">\u201cA journey into the darkest humor and wildest fantasies led by one of the most genuine contemporary figures in Spanish-language literature.\u201d \u2014 Esther Ferrero, <i>Efecto Doppler<\/i> (Radio 3)<\/span>\r\n\r\n<b><span lang=\"EN-GB\">\u00a0<\/span><\/b>\r\n\r\n<b><span lang=\"EN-GB\">AUDIOVISUAL POTENTIAL:<\/span><\/b><span lang=\"EN-GB\"> TV Series, Miniseries, Film, TV Film.<\/span>\r\n\r\n<b><span lang=\"EN-GB\">AVAILABLE LANGUAGES:<\/span><\/b><span lang=\"EN-GB\"> Spanish, English, Portuguese, Dutch, Czech.<\/span>","articulo__autor":[3316],"_thumbnail_id":31646,"articulo__featured_gallery":"","articulo__galeria_archivos":"","articulo__fecha_de_publicacion":"","articulo__idiomas":"","articulo__dossier":"","idarticle":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - 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