{"id":32234,"date":"2026-08-27T09:29:37","date_gmt":"2026-08-27T09:29:37","guid":{"rendered":"https:\/\/www.scenicrights.com\/projects\/verano-perdido\/"},"modified":"2026-09-22T07:28:35","modified_gmt":"2026-09-22T07:28:35","slug":"verano-perdido","status":"publish","type":"articulo","link":"https:\/\/www.scenicrights.com\/en\/projects\/verano-perdido\/","title":{"rendered":"Lost Summer (Verano perdido)"},"template":"","art_tag":[1344,802,1330,814,944,1196,704,1046,1194,1373],"genero":[49],"licencia":[],"localizacion":[],"produccion":[],"subgenero":[],"tipo":[5],"class_list":["post-32234","articulo","type-articulo","status-publish","has-post-thumbnail","hentry","art_tag-black-mood","art_tag-existential-crisis","art_tag-failure","art_tag-heartbreak","art_tag-humor-en","art_tag-journey","art_tag-love","art_tag-obsession","art_tag-summer","art_tag-toxic-relationship","genero-dramedy","tipo-proyecto"],"acf":{"generos_tax":[49],"subgeneros_tax":false,"tipo_tax":[5],"tags_tax":[944,704,802,814,1330,1344,1046,1373,1196,1194],"produccion_tax":false,"licencia_tax":false,"localizacion_tax":false,"articulo__titulo_extendido":"","articulo__extracto":"","articulo__contenido":"<em><strong class=\"___11wyd0v f1j4dglz\" data-lexical-text=\"true\">Tito waits in a hospital room for the trial that will determine his future. It all began with a vacation alongside his girlfriend Valeria, who had grown increasingly distant, and ended in a spiral of jealousy, alcohol, and conflicts on the verge of tragedy. As he reconstructs what happened, Tito will be forced to confront the truth about the trip and, above all, about a relationship that may have been broken long before it finally ended.<\/strong><\/em>\r\n\r\n&nbsp;\r\n\r\nTito, a thirty-five-year-old architect, wakes up in a hospital on a volcanic island with both hands bandaged and a trial looming ahead. From his bed, he follows the proceedings by videoconference while his lawyer, Eleuterio Lopo, a chain-smoking, cynical loudmouth with a talent for turning every disaster into an improbable legal theory, struggles to save him from what seems an inevitable conviction.\r\n\r\nAs testimony unfolds, Tito relives the vacation that brought him there. Just days earlier, he had traveled to the island with Valeria, his partner of nearly twelve years; Pelayo, his best friend since childhood; Pilar and her young son Lucas; and Anna Paola, one of Valeria\u2019s Italian friends, who is once again navigating one of her recurring romantic crises. What should have been a week of relaxation quickly becomes a coexistence as entertaining as it is uncomfortable.\r\n\r\nFrom the very first day, Tito senses that something has changed. Valeria is distant, avoids spending time alone with him, and seems increasingly more comfortable in the company of others. As he struggles to recover an intimacy slipping through his fingers, the vacation fills with a series of small everyday disasters: absurd excursions, tense dinners, ridiculous accidents, awkward silences, and arguments that begin as jokes but end up exposing old wounds.\r\n\r\nLife within the group offers little relief. Anna Paola turns every conversation into an unpredictable monologue about love, men, Italy, or Spain. Pelayo attempts to act as a universal mediator while patiently enduring Tito\u2019s constant teasing. Pilar watches the deterioration of the couple\u2019s relationship with growing discomfort. Even Lucas, with his endless curiosity and innocent questions, ends up bringing uncomfortable truths to the surface.\r\n\r\nLittle by little, Tito begins to feel displaced within a group that seems perfectly capable of functioning without him. The feeling intensifies when Domenico appears. A former business partner of Valeria's, a longtime friend to both of them, and a recurring source of insecurity for Tito, Domenico is charismatic, successful, and admired by everyone. To Tito, he embodies everything he feels he has lost over the years: professional prestige, self-confidence, and a privileged place in Valeria\u2019s life.\r\n\r\nFrom that point onward, the conflicts multiply. Tito argues with Anna Paola, ridicules Pelayo, interprets every gesture as a personal affront, and becomes obsessed with a single goal: talking to Valeria and repairing a relationship that has been crumbling for far too long. Yet the more desperately he tries to recover the past, the more evident it becomes that the past no longer exists.\r\n\r\nEverything culminates at a party hosted by Domenico. What is a celebration for everyone else turns into a nightmare for Tito. He drinks too much, confronts several friends, loses sight of Valeria, and ultimately follows the group to a nearby volcano, convinced that there is still time to salvage something.\r\n\r\nThe conversation he has been searching for never takes place.\r\n\r\nDuring an argument and a physical struggle, Tito does something that finally blows the entire vacation apart.\r\n\r\nBack in the hospital room, the trial gradually begins to resemble less a criminal investigation and more a reckoning. Testimony after testimony, memory after memory, the proceedings dismantle Tito\u2019s self-image and reveal a man who is brilliant, imaginative, and funny, but also incapable of accepting failure, the passage of time, and the deterioration of the most important relationship in his life.\r\n\r\nThe real verdict arrives in the hospital room. Valeria comes to say goodbye and tells him that the relationship is over and that she will be leaving without him. For the first time, Tito understands that the conflict was never Domenico, Anna Paola, his friends, or even what happened at the volcano. The real problem was his inability to accept that the story he had spent years trying to save had already come to an end.\r\n\r\n&nbsp;\r\n\r\n<strong data-lexical-text=\"true\">RELEVANT INFORMATION: <\/strong>With a background in Audiovisual Communication and Advertising Graphics, Pablo D\u00e1vila Casta\u00f1eda specializes in storytelling for social and cultural organizations as well as private companies, drawing on many years of experience in film marketing.\r\n\r\n<em class=\"___11wyd0v f1j4dglz\" data-lexical-text=\"true\">Lost Summer<\/em> is his second novel, a work infused with dark humor that combines comic situations with a sharp and perceptive look at failure, relationships, and emotional stagnation. Particularly noteworthy is its interplay between reality, imagination, and perception, as well as a distinctive narrative voice capable of creating unsettling situations without losing narrative momentum.\r\n\r\nThe novel possesses strong audiovisual potential. Its vivid settings, humor, dialogue-driven storytelling, and underlying mystery lend themselves to a dynamic film or television adaptation, with room to explore both the comedic elements and the story\u2019s more unusual, psychological dimensions.\r\n\r\n&nbsp;\r\n\r\n<b><span lang=\"EN-GB\">AUDIOVISUAL POTENTIAL:<\/span><\/b><span lang=\"EN-GB\">\u00a0TV Series, Limited Series, Feature Film, TV Film.\u00a0<\/span>\r\n\r\n<b>AVAILABLE LANGUAGES:<\/b>\u00a0Spanish.","articulo__autor":[3383],"_thumbnail_id":32232,"articulo__featured_gallery":"","articulo__galeria_archivos":"","articulo__fecha_de_publicacion":"","articulo__idiomas":"","articulo__dossier":"","idarticle":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Lost Summer (Verano perdido) - Scenic\u00a0Rights<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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